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Pro Tools 8 Film Scoring

 
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Pro Tools 8 Film Scoring
 

In Pro Tools 8: Film Scoring, author Christopher Brooks introduces the tools in Avid's digital recording, editing, and mixing software used for creating music for films, television and other visual media. Its wide-spread use on scoring stages and dubbing stages makes it the ideal choice for many of the tasks associated with creating music for films, television, and other visual media. This course also covers creating effective session templates, preparing recording sessions, and final mixing techniques. Exercise files accompany the course.

ISBN: 1-59671-637-1
UPC: 6-70557-02895-8
SKU: 02895


Author: Christopher Brooks
Duration: 2 Hours, 38 Minutes on 1 DVD-ROM
Exercise Files: Yes
Software works on: Mac and Windows

Includes Closed Captions


 

COURSE OUTLINE


Introduction
Welcome
Using the exercise files

1. New Session Basics
Setting up a basic session for video

2. Using QuickTime Video
Importing video and setting start code
Using FireWire output

3. I/O Setup
Choosing an appropriate monitor setup
Setting output paths
Setting input paths
Setting insert paths
Setting bus paths

4. Picture Sessions
Understanding picture session essentials
Sharing picture sessions
Working with OMFs
Slaving picture sessions

5. MIDI-Based Sessions
Beginning a MIDI cue
Importing data
Importing tempo and meter maps

6. MIDI Functions
Tempo mapping to picture
Matching existing tempos
Using Elastic Audio

7. Advanced QuickTime Functions
Using multiple clips
Bouncing QT clips

8. Session Preparation
Creating guide Tracks
Making live recording guide sessions and importing guide tracks
Creating streamers and clicks

9. Advanced Session Setup
Choosing the appropriate timecode settings
Locking and clocking
Exploring pull up/pull down

10. Multitrack Recording
Creating a template
Building a setup for final recording
Creating a live mix

11. Mixing in Pro Tools
Creating the mix I/O
Setting signal flow
Setting up multichannel aux effects
Working mix groups and a template
Naming and printing

12. Final Dub Preparation
Creating a dubbing stage template
Assigning outputs for the dubbing stage
Making a headphone bus
Using pull up/pull down
How and why to use sample rate conversion

Conclusion
Goodbye




 

 
 
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